Free Ebook Sculpture: Romanesque-Gothic-Renaissance-BaroqueFrom Brand: Feierabend Verlag
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Sculpture: Romanesque-Gothic-Renaissance-BaroqueFrom Brand: Feierabend Verlag
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From antiquity to the present, sculpture has enjoyed a special position among the arts and continues to be one of the most interesting art genres. For the viewer, it has always been precisely the representation of multiple views - making it possible to view the work from all sides - that fascinates. The incorporation of three-dimensionality led to impressive masterpieces, particularly during the Baroque period. While Romanesque sculpture was most often seen in the context of reliefs on structural elements of sacred buildings, representation of the human figure became the primary motif in the Renaissance. Sculpture was no longer created solely for the sacred context and for grave monuments; instead images of contemporaries became a central focus, as several famous riding monuments testify. The possibilities of sculptural expression reached their apex during the Baroque. Group statues such as Gianlorenzo Bernini’s Rape of Proserpina, with its complex turning and richly contrasting play of light and shadow, are impressive examples.
This brick-format book explores the far-reaching developments in sculpture from the Romanesque to the Baroque. Exquisite color photographs present the works first as a whole, then complemented by detail shots. An informative pleasure, both for sculpture aficionados and interested lay readers.
- Sales Rank: #3809448 in Books
- Brand: Brand: Feierabend Verlag
- Published on: 2004-10
- Original language: English
- Number of items: 1
- Dimensions: 2.40" h x 5.14" w x 5.24" l,
- Binding: Hardcover
- 800 pages
- Used Book in Good Condition
Most helpful customer reviews
5 of 5 people found the following review helpful.
A Traveler's Art Reference - Whether Actual or Armchair!
By Grady Harp
SCULPTURE/ESCULTURA is a hand size/pocket size book by Uwe Geese that covers the span of European sculpture from the Romanesque period through the Gothic, Renaissance, and Baroque periods. The narration is kept succinct, giving adequate but not effusive descriptions of each period. And while this commentary by Geese enhances the pleasure of this little book, it is the magnificent photography by Achim Bednorz that makes this one of the best companions for the appreciation and study of sculpture from these eras.
Bednorz has an uncanny eye for placing each sculpture discussed in situ, photographing not only the building or wall or room housing the particular sculpture, but also providing overall photos of the environment in which the sculpture is housed. For instance, particular works in cathedrals are first shown in context with the home cathedral from many angles and with an eye for creating the drama of the work as it must have been in its original time. Then comes the actual work, photographed from many angles showing many details. This is some of the finest art photography to enhance a resource book available.
Whether the reader needs a easily portable guide to accompany actual visits to the works discussed and featured in this little book, or a handy and concise but elegant reference book for the library, this small in size but large in content book is highly recommended. Grady Harp, September 05
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